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Crazy how long it's been since I wrote my last real blog. Not a transcript of a video of mine, or just an embed code for a podcast or something else I posted somewhere on the internet, but a genuine, casual blog. I'm not sure when life got so crazy, and I lost track of time. The last time I remember blogging seriously, I was 28 (I'm now 35). Definitely before the pandemic. Way before A.I started taking over everything. Probably more of a reason to blog now than ever before, if people are going to look for real, authentic views and opinions from a real person (look into the dead internet theory for context).
At this time, I'm not thinking about feature films, at least not in the traditional sense. My friend Jordan Emanuel has always been suggesting I should focus on TV instead of film for long-form storytelling, so I'm figuring out ways to translate my stories on social media platforms (then compile them into a feature afterwards). Trying to be less like Spielberg and more Dhar Mann Studios. So I decided to ask Chat GPT why it is labeled as a drama, and this is what I got: ### 🎭 1. **"Drama" is a Broad Umbrella Term** In the film industry, *drama* doesn't always mean "serious" or "heavy." It simply means a story that focuses on character development, emotional journeys, and personal stakes — rather than action, suspense, horror, or slapstick comedy. So even if a film feels **wholesome**, **uplifting**, or **funny**, if its core is a character-driven story with emotional depth (even mild), it often gets tagged as a *drama*. ### 🧵 2. **Tone vs. Genre** * **Zone**: Lighthearted, whimsical, charming * **Genre**: Period drama, character drama, or dramedy *Mrs. Harris Goes to Paris* has a gentle tone, but it deals with real themes: grief, hope, classism, ambition, and reinvention — all core dramatic elements. So, it’s a **light drama** or **dramatic comedy (dramedy)** — but many film databases (like IMDb or Netflix) simplify that into “drama.” ### 👗 3. **Period Piece Bias** Because it’s a period film set in 1950s Paris, studios and critics often default to calling it a drama to emphasize its literary or prestige appeal — even if the execution is sweet and humorous. ### 🏷️ 4. **Awards/Marketing Strategy** Labeling a movie a "drama" can help it get more attention for awards season, and makes it seem more prestigious. "Comedy" or "feel-good movie" sometimes gets taken less seriously by critics and voters. *Mrs. Harris Goes to Paris* is **lighthearted in tone**, but it's a **drama by structure** — focusing on a personal journey, emotional growth, and social themes. That's why it gets the drama label, even though it feels like a warm hug of a movie. So I asked how I could do the same and it give me this: Having your dramas feel like Mrs. Harris Goes to Paris means you're aiming for: 🪄 Feel-Good Dramas — aka "Cozy Prestige" These are stories that:
🔑 What Makes These Kinds of Dramas Work Tone Light, gentle, hopeful, charming — even when stakes are emotional Conflict Internal, social, or cultural — not life-or-death Protagonist Kind-hearted, resilient, often overlooked or underestimated Visuals Stylized, colorful, cozy — production design matters a lot Themes Purpose, community, dreams, dignity, reinvention Pacing Relaxed, emotional beats are given time to breathe Resolution Satisfying but not too clean — earned uplift 🧵 Examples of Lighthearted Dramas Like Mrs. Harris
💡 Your Twist on It If Carlemile Studios were doing this style, your take could blend:
What to Aim For 🧡 Heartfelt character journey 🎨 Visually warm or stylized 🧘🏾♀️ Low-stakes or community-centered conflict 🌍 Hopeful message, social texture, elegance or whimsy Then I asked "how does it keep the story interesting and engaging (I'm thinking of the jospeh campbell hero's journey or the South Park writers' model of "This happens therefore that happens but then this happens"). It responded: This is the secret sauce behind why a “gentle” or low-stakes film like Mrs. Harris Goes to Paris can still be deeply engaging and emotionally satisfying. Even in cozy dramas, structure is everything, and they absolutely do follow a version of the Hero’s Journey or the “therefore/but” logic of South Park's story model. Let’s break it down: 🎯 WHY THESE STORIES STAY ENGAGING Even when the stakes are emotional, not life-or-death:
📘 EXAMPLE: Mrs. Harris Goes to Paris (through a story structure lens) Hero’s Journey-style: Ordinary World Mrs. Harris is a widowed cleaning lady, ignored and underpaid Call to Adventure She sees a Dior dress and wants something beautiful for herself Refusal of the Call She doubts whether she’s worth it, or can even get to Paris Crossing the Threshold She scrapes money together and goes to Paris Tests, Allies, Enemies She faces snobbery, befriends models, argues with Dior staff Approach Her presence starts changing the fashion house and herself Crisis Dior won’t sell to her, she’s humiliated, then scammed out of her dress Reward She gets respect, earns real relationships, helps others transform too Return with the Elixir Returns home not just with a dress, but dignity and impact 🧩 South Park “Therefore/But” Logic: Let’s apply that too:
🧠 Final Tips
So, since I had that conversation with my mom and ChatGPT before the opening credits of Mrs Harris's even finished, I decided to watch "Julie and Julia" instead, since it was brought up on the list of recommended films (click photo if you want to get a copy). Since I've been living alone, I've been learning to cook on my own a lot, so I figured this is up my alley. I used to watch Julia Child on my old Google Home device while cooking at my ex's. A device I'm starting to miss and wish I didn't leave over there (but we don't cry over spilled milk over here, it's just material things). In "Julie & Julia", there’s a key early moment where Julie Powell (played by Amy Adams) is venting her frustrations about her life. She feels stuck, working at a government call center helping people with issues after 9/11, watching her friends succeed, and feeling like a failure by comparison. She's clearly overwhelmed and creatively unfulfilled. Her husband, Eric (played by Chris Messina), listens patiently and suggests that she should start a blog. First, he tells her to blog about living in Queens, NY. The problem is she hates Queens (I didn't take that personally). He reminds her that she loves to cook and that blogging might give her a new sense of purpose, something that's just hers. There was something about his next line, "Why not cook your way through Julia Child’s cookbook and blog about it?" that hit me like a ton of bricks. Why am I not blogging about all these experiences I've been going through latley?
I guess the same could be said about by early attempts at filmmaking and writing novels. The most I experienced was heartbreaks and hood drama. Since then, a lot has happened. For good and bad, but I think I'm becoming a better man for it. A lot of the stuff I was figuring out how to turn them into vlogs, stand-up comedy sets, video essays, etc. I don't know why I stopped considering blogging, but this film has woken up the blogger in me. I should tell my story. If not me, then who? Just like the drama of a film, my own life experience, my character development, emotional journeys, and personal stakes, the wholesome, uplifting, or funny moments (or even sad, depressing, gritter moments) of being a neurodivergent enterprenual creative can be it's own character-driven story with emotional depth (even mild) even if its not fiction, cause face it, real life sometimes is stranger than fiction. Side note: I just finished the movie, and it's a sweet film about finding a passion, cooking, and parasocial relationships, but it's no Mrs Harris Goes To Paris. But either way, Thank You to Mrs Harris, Julie, and Julia. The prodigal son has come home.
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I've been taken against my will, lied on and held captive for several days. I've been treated, fed like and spoken to like an animal. I don't know if I can no longer trust the land I live in. I defiantly don't trust the police. It was because of the police I was sent to prison in the first place. According to my lawyer at the time, just the fact I was there with them could of made me guilty by association. I had to admit punching a man I never met so I couldn't "snitch" on Mel if we took it to grand jury. Want to hear something funny tho... My favorite reality show is still cops.. Now I know what to do or say when they show up (YouTube "Flex your rights").
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